Sony DSC-TX7 10.2MP CMOS Digital Camera with 4x Zoom with Optical Steady Shot Image Stabilization and 3.5 inch Touch Screen LCD (Blue)
by Sony
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Digital Photo Product Details
Manufacturer: SonyModel: TX7 Blue
Color: Blue
Product features:
- 3.5-inch touch screen for easy focus selection and photo viewing
- 10.2-megapixel "Exmor R" CMOS sensor for stunning low-light performance
- iSweep Panorama Mode captures stunning panoramic images
- Fast capture with 10fps at full 10.2 MP resolution; 1080i AVCHD Movie records high-quality HD movies
- Accepts Memory Stick Duo/Memory Stick PRO Duo/Memory Stick PRO-HG Duo (not included) as well as SDHC cards.
- Adobe Photoshop CS5 Upgrade [Old Version]
- Serif PhotoPlus X3
- Aperture 3
- Manfrotto 7302YB M-Y Tripod with Ball - Replaces 725B
- Pixelmator [Old Version]
Digital Cameras Photo Reviews of Sony DSC-TX7 10.2MP CMOS Digital Camera with 4x Zoom with Optical Steady Shot Image Stabilization and 3.5 inch Touch Screen LCD (Blue)
Customer Review: Tale of Two TX7s
Summary: 5 Stars
This is interesting. My first TX7 produced significant flare in backlit scenes. Flare creates milky areas or streaks in the image, and is caused by stray light bouncing around inside the lens. Very difficult, if not impossible, to correct in editing.
I didn't know if this was something inherent in the lens design or whether I just got a defective camera. So I bought a second TX7 and ran side-by-side comparisons. The first continued to show flaring, the second did not. So when you read a review that says "This camera takes awful pictures!" there may be nothing wrong with the camera design--the person probably just got a bad one, like I did. (BTW, the return of the first TX7 couldn't have been easier. Amazon sent a UPS truck to pick it up at my home, free of charge. No wonder it's a successful company.)
PROS:
Excellent resolution
For a compact, good performance at higher ISO's
Slim design fits easily into your pocket
Innovative low-light functions
Touchscreen is quick and intuitive
Wide angle on the zoom is truly wide angle, and distortion-free to boot
Overall feeling of quality
CONS:
Disappointing HDR
No auto exposure bracketing
Telephoto isn't much of a telephoto
Low battery life
Purple fringing at high magnifications
I also got an HX5V, so I could compare the two. See my separate review on that camera.
Anyway, I've been doing photography for four decades, and during that time the technological strides have been profound. In 1970, when I got my first SLR, a camera like the TX7 would have been pure science fiction--in fact, it would have seemed more science fiction-y than colonies on Mars. But despite these advances there are still two major challenges in photography: dynamic range and low-light performance. That's why I was interested in the two Sonys, since they attempt to address these problems.
The HDR Mode on the TX7 tries to increase the dynamic range of an image by taking two shots in succession, one slightly underexposed and the other slightly overexposed, and then integrates the two to get the best of both worlds. A good idea, but the results are merely OK. Sony doesn't say, but my tests show that the range is just -1EV/+1EV. That's not enough. If you've done research on this, or if you have an HDR program like Photomatix, you know that you need -2EV/+2EV to get a really good range. I'm surprised Sony stopped so short here, since expanding the range would have been easy. In fact, you can manually adjust the exposure by 2EV either way in Program Mode.
But if you do this, you'll have to have a tripod, because you'll have to change the exposure each time. There's no auto exposure bracketing, where one touch of the shutter takes three successive shots at your preset exposure range. This is surprising, almost shocking, since AEB doesn't add to the cost. If this were a middle-of-the-road compact selling for $150 the omission would be understandable, but the TX7 is supposed to be a top-of-the-line, full-featured, as-good-as-it-gets compact (it's certainly priced that way). It makes you wonder just what the people at Sony were thinking when they designed this camera--it's hard to believe someone didn't bring this up.
Sony makes up for this, though, with very good low-light performance. First, Sony has traded lower MPs (10 vs. the 12 or 14 in most compacts) for better quality at higher ISOs, an excellent trade. The TX7 beats every other compact except the Canon S90 at higher ISOs, and the Canon achieves this through a larger sensor and hence a larger camera. You can see this for yourself by visiting [...] and comparing the full-size images of various cameras (as of this writing there are no samples for the TX7, but those for the TX5 would be identical).
You will also see that there is no better compact than the TX7 on lens resolution. This is quite surprising since the TX7's lens is so small. The suberb resolution by itself makes the price of this camera worthwhile.
However, I did notice some purple fringing at the juncture of certain bright and dark parts of the image, which is due to the lens design. But this is noticeable only at very high magnifications.
The second way Sony addresses the low-light problem is to offer two different low-light shooting modes: Twilight Mode and Anti-Blur Mode. Both take a series of six shots and then merge them into a single image--in other words, you get six times the amount of light that you'd get with a straight shot. The Twilight Mode uses slower shutter speeds and lower ISOs, while Anti-Blur does the opposite. Also, the white balance on the Twilight Mode is distinctly warm, no doubt to compensate for the bluish light in twilight or early morning scenes.
What if you want to use the Twilight Mode indoors under incandescent lighting so you can get the lower ISO? You'd want to do this if you didn't need the higher shutter speed that Anti-Blur gives. To avoid an overly-warm image simply switch the white balance from auto to incandescent and you'll be fine.
Which leads me to the touchscreen, which has turned out to be my favorite feature on the TX7. Changing the white balance, and doing anything else, is quick and easy with the touchscreen. I've seen some reviews which say that you have to use the supplied stylus, but I've never had to. Plus, the text and icons are very readable and even elegant in appearance.
In fact, the overall build of the camera is quite good. You might even say luxurious. This is an expensive camera for a compact, but it looks and feels expensive.
The panorama feature is interesting, but a bit gimmicky. You can do panoramas yourself in Photoshop or other editors in those few occasions when you need a panorama, which in my experience isn't very often. Plus, when you take your own pictures for subsequent integration into a panorama each shot is separately (and hence correctly) exposed. Not so with the Panorama Mode on the TX7. When you press the shutter the exposure is set for the entire panorama, so if you begin in an area that is a lot lighter or darker than the rest of the scene your integrated shot won't be properly exposed. However, you can adjust for this by using the AE lock.
I'm not a Scene Mode fan, but if you are this camera's for you. There's even a Gourmet Mode (for taking pictures of food), a Beach Mode, and a Pet Mode. OK, say you're spending a day at the beach and you want to take a particularly cute shot of your dog eyeing a hamburger. What to do? Beach Mode? Pet Mode? Gourmet Mode? You could make a case for any of them. While you're dithering over this the moment has passed. Just take the damn picture!
The TX7 has a Burst Mode, for taking up to 10 shots in rapid succession. How rapid this is depends on the three choices the TX7 gives to you. At first I thought that this was a bit over-the-top, but in actual use I've liked having the three different rates. It's hard to explain, but in some action scenes it's better to have one over the other. Be careful with this feature, though. It's easy to load up lots and lots of images that are a pain to go through.
The camera has a limited zoom range, but it's a good one: an effective 25mm through 100mm. Yes, 100mm isn't much of a telephoto, but remember that you can always crop. You can't make a photo any wider than the widest zoom range on the camera, and as far as I know there's no compact which gets any wider than 25mm. Moreover, there's no distortion at this focal length. My previous compact, a Canon SD700IS purchased in 2007, goes out to only 35mm and has pronounced barrel distortion at that setting. This is another huge plus for the TX7.
Most reviews mention the short battery life, and that's indeed true. Of course, that's the price you pay for a tiny camera like this.
What Sony should have done is to enable recharging through the dock. As you probably know, there is no direct cable from the TX7 to your computer. Instead, Sony provides a dock. You set the camera in the dock, and then transfer the pictures. Some reviewers have complained about having this separate item, but I found it slightly more convenient than inserting a cable. As I said, though, it would be great if the camera could be recharged through the dock. My first compact, a Fuji I got in 2002, did this, so I don't see why Sony does not.
One last thing: I purchased what is described as the "blue" model. This is a joke. The camera is jet black. There's not even the slightest hint of blue.
Overall, the TX7 is a great camera. It's small size, especially the slim profile, means you can easily slip into your pocket, even your shirt pocket. If in the next generation Sony expands the HDR, provides for AEB, and allows charging through the dock it will have close to a perfect little camera.
This is interesting. My first TX7 produced significant flare in backlit scenes. Flare creates milky areas or streaks in the image, and is caused by stray light bouncing around inside the lens. Very difficult, if not impossible, to correct in editing.
I didn't know if this was something inherent in the lens design or whether I just got a defective camera. So I bought a second TX7 and ran side-by-side comparisons. The first continued to show flaring, the second did not. So when you read a review that says "This camera takes awful pictures!" there may be nothing wrong with the camera design--the person probably just got a bad one, like I did. (BTW, the return of the first TX7 couldn't have been easier. Amazon sent a UPS truck to pick it up at my home, free of charge. No wonder it's a successful company.)
PROS:
Excellent resolution
For a compact, good performance at higher ISO's
Slim design fits easily into your pocket
Innovative low-light functions
Touchscreen is quick and intuitive
Wide angle on the zoom is truly wide angle, and distortion-free to boot
Overall feeling of quality
CONS:
Disappointing HDR
No auto exposure bracketing
Telephoto isn't much of a telephoto
Low battery life
Purple fringing at high magnifications
I also got an HX5V, so I could compare the two. See my separate review on that camera.
Anyway, I've been doing photography for four decades, and during that time the technological strides have been profound. In 1970, when I got my first SLR, a camera like the TX7 would have been pure science fiction--in fact, it would have seemed more science fiction-y than colonies on Mars. But despite these advances there are still two major challenges in photography: dynamic range and low-light performance. That's why I was interested in the two Sonys, since they attempt to address these problems.
The HDR Mode on the TX7 tries to increase the dynamic range of an image by taking two shots in succession, one slightly underexposed and the other slightly overexposed, and then integrates the two to get the best of both worlds. A good idea, but the results are merely OK. Sony doesn't say, but my tests show that the range is just -1EV/+1EV. That's not enough. If you've done research on this, or if you have an HDR program like Photomatix, you know that you need -2EV/+2EV to get a really good range. I'm surprised Sony stopped so short here, since expanding the range would have been easy. In fact, you can manually adjust the exposure by 2EV either way in Program Mode.
But if you do this, you'll have to have a tripod, because you'll have to change the exposure each time. There's no auto exposure bracketing, where one touch of the shutter takes three successive shots at your preset exposure range. This is surprising, almost shocking, since AEB doesn't add to the cost. If this were a middle-of-the-road compact selling for $150 the omission would be understandable, but the TX7 is supposed to be a top-of-the-line, full-featured, as-good-as-it-gets compact (it's certainly priced that way). It makes you wonder just what the people at Sony were thinking when they designed this camera--it's hard to believe someone didn't bring this up.
Sony makes up for this, though, with very good low-light performance. First, Sony has traded lower MPs (10 vs. the 12 or 14 in most compacts) for better quality at higher ISOs, an excellent trade. The TX7 beats every other compact except the Canon S90 at higher ISOs, and the Canon achieves this through a larger sensor and hence a larger camera. You can see this for yourself by visiting [...] and comparing the full-size images of various cameras (as of this writing there are no samples for the TX7, but those for the TX5 would be identical).
You will also see that there is no better compact than the TX7 on lens resolution. This is quite surprising since the TX7's lens is so small. The suberb resolution by itself makes the price of this camera worthwhile.
However, I did notice some purple fringing at the juncture of certain bright and dark parts of the image, which is due to the lens design. But this is noticeable only at very high magnifications.
The second way Sony addresses the low-light problem is to offer two different low-light shooting modes: Twilight Mode and Anti-Blur Mode. Both take a series of six shots and then merge them into a single image--in other words, you get six times the amount of light that you'd get with a straight shot. The Twilight Mode uses slower shutter speeds and lower ISOs, while Anti-Blur does the opposite. Also, the white balance on the Twilight Mode is distinctly warm, no doubt to compensate for the bluish light in twilight or early morning scenes.
What if you want to use the Twilight Mode indoors under incandescent lighting so you can get the lower ISO? You'd want to do this if you didn't need the higher shutter speed that Anti-Blur gives. To avoid an overly-warm image simply switch the white balance from auto to incandescent and you'll be fine.
Which leads me to the touchscreen, which has turned out to be my favorite feature on the TX7. Changing the white balance, and doing anything else, is quick and easy with the touchscreen. I've seen some reviews which say that you have to use the supplied stylus, but I've never had to. Plus, the text and icons are very readable and even elegant in appearance.
In fact, the overall build of the camera is quite good. You might even say luxurious. This is an expensive camera for a compact, but it looks and feels expensive.
The panorama feature is interesting, but a bit gimmicky. You can do panoramas yourself in Photoshop or other editors in those few occasions when you need a panorama, which in my experience isn't very often. Plus, when you take your own pictures for subsequent integration into a panorama each shot is separately (and hence correctly) exposed. Not so with the Panorama Mode on the TX7. When you press the shutter the exposure is set for the entire panorama, so if you begin in an area that is a lot lighter or darker than the rest of the scene your integrated shot won't be properly exposed. However, you can adjust for this by using the AE lock.
I'm not a Scene Mode fan, but if you are this camera's for you. There's even a Gourmet Mode (for taking pictures of food), a Beach Mode, and a Pet Mode. OK, say you're spending a day at the beach and you want to take a particularly cute shot of your dog eyeing a hamburger. What to do? Beach Mode? Pet Mode? Gourmet Mode? You could make a case for any of them. While you're dithering over this the moment has passed. Just take the damn picture!
The TX7 has a Burst Mode, for taking up to 10 shots in rapid succession. How rapid this is depends on the three choices the TX7 gives to you. At first I thought that this was a bit over-the-top, but in actual use I've liked having the three different rates. It's hard to explain, but in some action scenes it's better to have one over the other. Be careful with this feature, though. It's easy to load up lots and lots of images that are a pain to go through.
The camera has a limited zoom range, but it's a good one: an effective 25mm through 100mm. Yes, 100mm isn't much of a telephoto, but remember that you can always crop. You can't make a photo any wider than the widest zoom range on the camera, and as far as I know there's no compact which gets any wider than 25mm. Moreover, there's no distortion at this focal length. My previous compact, a Canon SD700IS purchased in 2007, goes out to only 35mm and has pronounced barrel distortion at that setting. This is another huge plus for the TX7.
Most reviews mention the short battery life, and that's indeed true. Of course, that's the price you pay for a tiny camera like this.
What Sony should have done is to enable recharging through the dock. As you probably know, there is no direct cable from the TX7 to your computer. Instead, Sony provides a dock. You set the camera in the dock, and then transfer the pictures. Some reviewers have complained about having this separate item, but I found it slightly more convenient than inserting a cable. As I said, though, it would be great if the camera could be recharged through the dock. My first compact, a Fuji I got in 2002, did this, so I don't see why Sony does not.
One last thing: I purchased what is described as the "blue" model. This is a joke. The camera is jet black. There's not even the slightest hint of blue.
Overall, the TX7 is a great camera. It's small size, especially the slim profile, means you can easily slip into your pocket, even your shirt pocket. If in the next generation Sony expands the HDR, provides for AEB, and allows charging through the dock it will have close to a perfect little camera.
This is interesting. My first TX7 produced significant flare in backlit scenes. Flare creates milky areas or streaks in the image, and is caused by stray light bouncing around inside the lens. Very difficult, if not impossible, to correct in editing.
I didn't know if this was something inherent in the lens design or whether I just got a defective camera. So I bought a second TX7 and ran side-by-side comparisons. The first continued to show flaring, the second did not. So when you read a review that says "This camera takes awful pictures!" there may be nothing wrong with the camera design--the person probably just got a bad one, like I did. (BTW, the return of the first TX7 couldn't have been easier. Amazon sent a UPS truck to pick it up at my home, free of charge. No wonder it's a successful company.)
PROS:
Excellent resolution
For a compact, good performance at higher ISO's
Slim design fits easily into your pocket
Innovative low-light functions
Touchscreen is quick and intuitive
Wide angle on the zoom is truly wide angle, and distortion-free to boot
Overall feeling of quality
CONS:
Disappointing HDR
No auto exposure bracketing
Telephoto isn't much of a telephoto
Low battery life
Purple fringing at high magnifications
I also got an HX5V, so I could compare the two. See my separate review on that camera.
Anyway, I've been doing photography for four decades, and during that time the technological strides have been profound. In 1970, when I got my first SLR, a camera like the TX7 would have been pure science fiction--in fact, it would have seemed more science fiction-y than colonies on Mars. But despite these advances there are still two major challenges in photography: dynamic range and low-light performance. That's why I was interested in the two Sonys, since they attempt to address these problems.
The HDR Mode on the TX7 tries to increase the dynamic range of an image by taking two shots in succession, one slightly underexposed and the other slightly overexposed, and then integrates the two to get the best of both worlds. A good idea, but the results are merely OK. Sony doesn't say, but my tests show that the range is just -1EV/+1EV. That's not enough. If you've done research on this, or if you have an HDR program like Photomatix, you know that you need -2EV/+2EV to get a really good range. I'm surprised Sony stopped so short here, since expanding the range would have been easy. In fact, you can manually adjust the exposure by 2EV either way in Program Mode.
But if you do this, you'll have to have a tripod, because you'll have to change the exposure each time. There's no auto exposure bracketing, where one touch of the shutter takes three successive shots at your preset exposure range. This is surprising, almost shocking, since AEB doesn't add to the cost. If this were a middle-of-the-road compact selling for $150 the omission would be understandable, but the TX7 is supposed to be a top-of-the-line, full-featured, as-good-as-it-gets compact (it's certainly priced that way). It makes you wonder just what the people at Sony were thinking when they designed this camera--it's hard to believe someone didn't bring this up.
Sony makes up for this, though, with very good low-light performance. First, Sony has traded lower MPs (10 vs. the 12 or 14 in most compacts) for better quality at higher ISOs, an excellent trade. The TX7 beats every other compact except the Canon S90 at higher ISOs, and the Canon achieves this through a larger sensor and hence a larger camera. You can see this for yourself by visiting [...] and comparing the full-size images of various cameras (as of this writing there are no samples for the TX7, but those for the TX5 would be identical).
You will also see that there is no better compact than the TX7 on lens resolution. This is quite surprising since the TX7's lens is so small. The suberb resolution by itself makes the price of this camera worthwhile.
However, I did notice some purple fringing at the juncture of certain bright and dark parts of the image, which is due to the lens design. But this is noticeable only at very high magnifications.
The second way Sony addresses the low-light problem is to offer two different low-light shooting modes: Twilight Mode and Anti-Blur Mode. Both take a series of six shots and then merge them into a single image--in other words, you get six times the amount of light that you'd get with a straight shot. The Twilight Mode uses slower shutter speeds and lower ISOs, while Anti-Blur does the opposite. Also, the white balance on the Twilight Mode is distinctly warm, no doubt to compensate for the bluish light in twilight or early morning scenes.
What if you want to use the Twilight Mode indoors under incandescent lighting so you can get the lower ISO? You'd want to do this if you didn't need the higher shutter speed that Anti-Blur gives. To avoid an overly-warm image simply switch the white balance from auto to incandescent and you'll be fine.
Which leads me to the touchscreen, which has turned out to be my favorite feature on the TX7. Changing the white balance, and doing anything else, is quick and easy with the touchscreen. I've seen some reviews which say that you have to use the supplied stylus, but I've never had to. Plus, the text and icons are very readable and even elegant in appearance.
In fact, the overall build of the camera is quite good. You might even say luxurious. This is an expensive camera for a compact, but it looks and feels expensive.
The panorama feature is interesting, but a bit gimmicky. You can do panoramas yourself in Photoshop or other editors in those few occasions when you need a panorama, which in my experience isn't very often. Plus, when you take your own pictures for subsequent integration into a panorama each shot is separately (and hence correctly) exposed. Not so with the Panorama Mode on the TX7. When you press the shutter the exposure is set for the entire panorama, so if you begin in an area that is a lot lighter or darker than the rest of the scene your integrated shot won't be properly exposed. However, you can adjust for this by using the AE lock.
I'm not a Scene Mode fan, but if you are this camera's for you. There's even a Gourmet Mode (for taking pictures of food), a Beach Mode, and a Pet Mode. OK, say you're spending a day at the beach and you want to take a particularly cute shot of your dog eyeing a hamburger. What to do? Beach Mode? Pet Mode? Gourmet Mode? You could make a case for any of them. While you're dithering over this the moment has passed. Just take the damn picture!
The TX7 has a Burst Mode, for taking up to 10 shots in rapid succession. How rapid this is depends on the three choices the TX7 gives to you. At first I thought that this was a bit over-the-top, but in actual use I've liked having the three different rates. It's hard to explain, but in some action scenes it's better to have one over the other. Be careful with this feature, though. It's easy to load up lots and lots of images that are a pain to go through.
The camera has a limited zoom range, but it's a good one: an effective 25mm through 100mm. Yes, 100mm isn't much of a telephoto, but remember that you can always crop. You can't make a photo any wider than the widest zoom range on the camera, and as far as I know there's no compact which gets any wider than 25mm. Moreover, there's no distortion at this focal length. My previous compact, a Canon SD700IS purchased in 2007, goes out to only 35mm and has pronounced barrel distortion at that setting. This is another huge plus for the TX7.
Most reviews mention the short battery life, and that's indeed true. Of course, that's the price you pay for a tiny camera like this.
What Sony should have done is to enable recharging through the dock. As you probably know, there is no direct cable from the TX7 to your computer. Instead, Sony provides a dock. You set the camera in the dock, and then transfer the pictures. Some reviewers have complained about having this separate item, but I found it slightly more convenient than inserting a cable. As I said, though, it would be great if the camera could be recharged through the dock. My first compact, a Fuji I got in 2002, did this, so I don't see why Sony does not.
One last thing: I purchased what is described as the "blue" model. This is a joke. The camera is jet black. There's not even the slightest hint of blue.
Overall, the TX7 is a great camera. It's small size, especially the slim profile, means you can easily slip into your pocket, even your shirt pocket. If in the next generation Sony expands the HDR, provides for AEB, and allows charging through the dock it will have close to a perfect little camera.
More Sony DSC-TX7 10.2MP CMOS Digital Camera with 4x Zoom with Optical Steady Shot Image Stabilization and 3.5 inch Touch Screen LCD (Blue) reviews:
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Description of Sony DSC-TX7 10.2MP CMOS Digital Camera with 4x Zoom with Optical Steady Shot Image Stabilization and 3.5 inch Touch Screen LCD (Blue)
The sleek and stylish DSC-TX7 offers a large 3.5? touch screen to easily take and review photos. An advanced ?Exmor R? CMOS sensor provides stunning low-light images and sweeping panoramic views with iSweep Panorama mode. Plus, enjoy 1920x1080 Full HD video recording and playback.Digital Cameras
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